Eugenie de Sade Streaming
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Eugenie de Sade Streaming.
Movie Title: Eugenie de Sade Eugenie de Sade is available for streaming or downloading. |
Eugenie (Soledad Miranda) is a stunned girl who lives with her eminent writer stepfather (Paul Muller) in an isolated villa. Eugenie wiles away her days dressing like a streetwalker and sneaking peeks at hot titles in the library. One day she stumbles on to a slim volume that blends eroticism with slay. Her stepfather confronts her about the illicit eye, but reassures her that “it’s high time you read about such things!” Together they conspire to cancel a low-rent nudie model in Brussels while using their attendance at a Paris nightclub that same evening to screen their tracks. Once successful, they start a killing spree targeting prostitutes. A writer (an unwashed Jesus Franco) is aware of their activities, but does nothing to close them, too mesmerized from afar by their sex-and-death games. Eugenie then sets her sights on a virginal, young jazz musician and jealousy rears its frightful head. Daddy brutally attacks Eugenie and commits suicide, and Eugenie’s deathbed confession falls on Franco’s disapproving, fascinated ears.
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Eugenie de Sade has an poor lot of what’s to be expected in any Jesus Franco film. Veteran pans, halting zooms, a few sparsely furnished sets, nightclub scenes and Franco is an extended role. The very same elements appear in the director’s many, many lesser films but with Eugenie de Sade he comes finish to crafting a masterpiece. The film’s success relies heavily on the exiguous shoulders of doomed actress Soledad Miranda, who was to die in a car accident shortly after completion. Frequently seen in a crouching residence, her knees to her aesthetic small face (although in some shots she looks considerable, great older than her 26 years), Miranda creates sexual tension by honest being there. Wearing a red cape, floppy orange hat and oversized sunglasses during the initial abolish, Video Watchdog Tim Lucas would later enthuse how Miranda would be the only actress respectable of carrying off the scene in homely thrift store clothing. Through his muse Miranda, Franco is able to milk mighty romanticism and high melodrama using familiar, shopworn materials.
Another factor contributing to the film’s success is unexpected and small written about: a definite and consistent adherence to themes of the source material. Loosely based on Eugenie De Franval by the Marquis de Sade, Eugenie is a respectful exploration of classic sadism. In an interview included on the Blue Underground disc, Franco explains that as a 16-year-old boy living in Franco’s Spain he was introduced to the works of de Sade from a capable older gentleman’s library. Flabbergasted by the Marquis’ unfavorable writings and clear-headed philosophy, the older gentleman, like the stepfather in the film assured him that “it was high time that he read such things!” Unable to film de Sade’s fantasies on a box lunch budget, the finished product was at once too strong for the producers. Wide-eyed depictions of incest and kill amid the expected naked ladies were seen as off-putting to the European soft core market.
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The film is especially damning to those who decide to study it. The film’s credits unspool over some lesbian groping by Miranda and a exquisite blonde, and the viewer assumes that the shaky, handheld photography is unprejudiced par for the course for a cheap sex film. It’s only after Muller comes on to the scene and kills the blonde does it dawn on us that we’re watching a snuff film, being screened with clinical detachment by Franco. De Sade argued that those who see gross acts and do nothing to close them are unbiased as guilty as the perpetrators.
On a more personal level … in my tedious teens I was given a thick book of de Sade’s writings by an older relative, who perhaps decided that I was of age and it was also high time that I read such things. Fascinated and repelled, I would go on to do a research paper on de Sade, aided and abetted by an older female professor who I suspect was romantically involved in me, who was at once disgusted, but wanted to know more … but I digress.
A final palatable tidbit is the interview with Franco included on the Blue Underground disc, which concludes with him forcefully denying that he and Miranda were lovers, but had a “father-daughter” relationship. As several others have pointed out, that’s DEFINITELY not the impression he wants to leave the viewer with after they look this particular film!
Long ago and far away this kink classic was set aside together on a puny budget. A must for collectors of kink.
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